Fu Site (b.1984, Liaoning province) graduated from Tsinghua University (2006), École des Beaux-Arts in Versailles (2011) and École Supérieure d’Art du Nord-Pas-de-Calais (2014). Fu’s recent practice attempts to broaden the inclusiveness of the pictorial language and explores the relationship between virtual images, associations, emotions, consciousness, and visual experience. By depicting fragmented visual elements and mixing or juxtaposing them on canvas, he projects tranquility and chaos at the same time.
Artworks
Fu Site was born in the Liaoning province (China) in 1984. He graduated from the Tsinghua University in Beijing (2006), the École des Beaux-Arts in Versailles (2011) and the École Supérieure d’Art du Nord-Pas-de-Calais (2014). Fu’s recent practice attempts to broaden the inclusiveness of the pictorial language and explores the relationship between virtual images, associations, emotions, consciousness, and visual experience. By depicting fragmented visual elements and mixing or juxtaposing them on canvas, he projects tranquility and chaos at the same time.
His recent solo exhibitions include:“Figures”, START Museum, Shanghai, 2024; “Fu Site”, MadeIn Gallery, Shanghai, 2023; “Jeux de Créatures”, PARIS-B, Paris, France, 2022; “Fictions in fragment”, Kylin Gallery, Los Angeles, U.S.A, 2021; “Disrupted Narrative”, Galerie Paris-B, Paris, France, 2017; “Politicians”, Galerie Paris-B, Paris, France, 2014; “FU SITE”, Point Rouge, Paris, France,2014. Group exhibitions include: “Voltage III”, Nassima Landau, Tel Aviv, Israel, 2022; “What you’ve missed”, Galerie Paris-B, Paris, France, 2020; “De l’Est à Paris”, Liu Haisu Museum, Shanghai, China, 2017; “Qing Jin Ji Hua”, Zhengguan Art Museum, Beijng, China, 2017; “Inner fiction”, Galati Museum, Galati, Romania, 2015; “Don’t Look Back – Painting China Now”, Galerie Paris-B, Brussels, Belgium, 2014。
访谈 | 傅斯特:愉悦感与中间态
2023.5.4
傅斯特同名个展“傅斯特”于2023年5月6日在没顶画廊开幕。在与画廊进行的如下对谈中,傅斯特将自己绘画的视觉特征描述为一种“有机抽象性”——对于存在物状态的直觉想象而创造出的一些处于“中间状态”(过程中)的有机形体。
贺潇评傅斯特:从意识屏幕到画布的转译之路
2023.6.14
贺潇评傅斯特:从意识屏幕到画布的转译之路
访谈 | 破坏和重建之序曲(上)
2024.2.1
群展"意外之歌"于2024.1.12-3.2于没顶画廊展出。在与画廊进行的对谈中,参展艺术家阐述了自己创作的脉络与方式以及当下所关注的议题。本篇访谈为上篇,包含艺术家陈孟涵、陈若璠、陈英、傅斯特、黄龙、李可津。