Shen Xin (b.1990, Chengdu) works in Northern An t-eilean Sgitheanach (Isle of Skye). They create moving image installations and performances that empower alternative histories, relations, and potentials between individuals and nation-states. They seek to create affirmative spaces of belonging that embrace polyphonic narratives and identities.
Museum Exhibitions
Shen Xin: but this is the language we met in
2024.01.20-2024.03.31
Museum Exhibitions
Shen Xin, Payne Zhu: “Cosmos Cinema——14th Shanghai Biennale”
2023.11.09-2024.03.31
Museum Exhibitions
Shen Xin — Brine Lake (A New Body)
2023.09.16-2024.01.07
Museum Exhibitions
Shen Xin: ས་གཞི་སྔོན་པོ་འགྱུར། (The Earth Turned Green)
2023.03.31-2023.06.17
Museum Exhibitions
SHEN XIN: ས་གཞི་སྔོན་པོ་འགྱུར། (THE EARTH TURNED GREEN)
2022.05.04-2022.08.28
Museum Exhibitions
The Rearview Landscape, or a Trip of Ownership
2021.12.04-2022.08.14
Shen Xin (b.1990, Chengdu) graduated from the UCL Slade School of Fine Art in 2014 with an MFA. They currently live and work in An t-eilean Sgitheanach (Isle of Skye). Their solo exhibitions, performances and screenings include: “but this is the language we met in”, Richmond Art Gallery, Richmond, Canada, 2024; “one, arriving at floodplains”, MadeIn Gallery, Shanghai, 2023; “Brine Lake (A New Body)”, MHKA, Antwerp, 2023; “ས་གཞི་སྔོན་པོ་འགྱུར (The Earth Turned Green)”, KUNSTVEREIN GARTENHAUS, Vienna, 2023 & Swiss Institute, New York, 2022; “Brine Lake (A New Body)”, Walker Art Center, Minneapolis, 2021; “Double Feature”, Schirn Kunsthalle Frankfurt, Frankfurt, 2019; “Synthetic Types”, Stedelijk Museum, Amsterdam, 2019; “To Satiate”, MadeIn Gallery, Shanghai, 2019; “Warm Spell”, ICA, London, 2018; “Sliced Units”, CFCCA, Manchester, 2018; “Records of Rites”, MIMA, Middlesbrough, 2018; “half-sung, half-spoken”, Serpentine Galleries, London, 2017; “Originally Inclusive”, Performance, CFCCA, Manchester, 2016; “At Home”, Surplus Space, Wuhan, 2016.
Their recent group exhibitions include: Cosmos Cinema, 14th Shanghai Biennale, Shanghai (Shanghai, 2023-24); 12th Seoul Mediacity Biennale: THIS TOO, IS A MAP (Seoul, 2023); To bind, embed, shimmer, and brace, with 楔Xiē (daadgalerie, Berlin, 2022); In Solidarity with ____ (OCAT x KADIST, Shanghai, 2022); ON | OFF 2021: Back to the Future (HE Art Museum, Shunde, China, 2022); 13th Gwangju Biennale: Minds Rising, Spirits Tuning (Gwangju, 2021); Language is a River (Monash University Museum of Art, Melbourne, 2021); An Impulse to Turn (Inside Out Museum, Beijing, 2020); Sigg Prize (M+ Museum, Hong Kong, 2019); Songs for Sabotage (New Museum Triennial, New York, 2018).
They received the Jerome Hill Artist Fellowship (Minnesota, 2023), Sigg Prize shortlist (M+, Hong Kong, 2019) , BALTIC Artists’ Award (2017) , and participated in the Rijksakademie residency in Amsterdam (2018-19).
Review | Shen Xin
2015
By Dan Munn, UK Now
Shen Xin on opening up space through the sensory + refusing the definitive
2017.07.28
AQNB
In conversation: Shen Xin and May Adadol Ingawanij
2019.09.02
ArtReview
Shen Xin Explores Statelessness in East Asia
2020.11.12
By Mark Rappolt, ArtReview
Critics’ Picks: Shen Xin at Swiss Institute
2022.05.04
By Qianfan Gu, Artforum International
The Influence | Shen Xin
2021.11.27
By Maddee Clark, The Saturday Paper
Artist Shen Xin says the layering of desire, bondage and labour in Hito Steyerl’s video Lovely Andrea has deeply informed their understanding of image.
Shen Xin’s Theater of Verbal Imagery
2022.08.30
By Zoe Meng Jiang, Art Asia Pacific
新编的故事:崇明岛上的一天|ARTFORUM所见所闻
2023.12.05
杜可柯评“沈莘:一,至河漫滩”
复古口传文学时代的展览状况:2023年在上海|ARTFORUM观点
2023.12.06
陈玺安评“沈莘:一,至河漫滩”