In this installation of the Vortex project, artist Wang Ximan presents a self “adjustment” through an immersive space of sound, image, and performance. By embedding industrial and medical materials into her own body, Wang ignites a non-figurative state during physical movement. Simultaneously, live film recordings projected onto digital screens challenge the very concept of presence in a performance. She extracts fragments of charged rhetoric from historical revolutionary speeches, manipulating these audio-synced vocabularies into a cacophony of low-frequency noise. Deconstructing language into a mere tool for information transmission, she transforms the performance site into a “non-place,” where new skeletal forms take shape in this carefully orchestrated chaos.